Simply Take as Much as You Require

Happy New Year!

As we usher in the new year, I stop to think about all that has happened in the past year. I am grateful for all the triumphs and struggles I have experienced. With each passing year, I am learning to see how precious life is and no matter how I feel about this crazy world, much grace shown to me.

I am thankful!

So let’s ring in the new year!

My hope for 2013 as a teacher, mom, and wife is to

1. lead with my ears,

2. follow kindness with my words,

3. and not react immediately.

Listening is probably the most important musical skill I teach each day. I would love to listen to those in my care with purpose. I need to do this!

Kind words can abate sticky situations and bring life to even the young. I want to practice kindness!

Not reacting immediately will be the hardest, for sure. I want my anger to straggle along….ever slowly. I want to live a grace-filled life!

I will leave you with a musical (really, life) thought from Edward Elgar:

“My idea is that there is music in the air, music all around us;

the world is full of it,

and you simply take as much as you require.”

Take time to listen to the music around you. Let the music move you. Share the good and help those around you. Best wishes for 2013!

Yoon

Start the New Year!

Closing Ceremony Music at the 2012 London Olympics

English: Fireworks during the Celebration Conc...

English: Fireworks during the Celebration Concert segment of the closing ceremony at the 2012 Olympics (Photo credit: Wikipedia)

It’s August 13th and sadly, the 2012 London Olympics is no more…

The 2012 Olympic experience was an astonishing display of passion and discipline. Danny Boyle and his team delivered a breathtaking 2012 London Olympics Closing Ceremony. What a way to capture the spirit of the Olympics! I wish that the games would have lasted just a little longer.

Wondrous. Sensational. Dramatic. Astounding. These words come to mind summarizing the athletes, the games, and the opening and closing ceremonies.

Before I share a list of songs that were included in a set called “A Symphony of British Music” (so aptly named!), I wanted to highlight the Liverpool Philharmonic Youth Choir and the Liverpool Signing Choir who performed John Lennon’s “Imagine”. During this beautiful tribute, the world watched a surreal performance of the choirs singing with a video clip of Lennon singing the song. There were also young dancers who built a sculpture of the legendary singer/songwriter’s face. As I have mentioned in my opening ceremony post, I think Danny Boyle was brilliant for including so many adolescences in both ceremonies. What do these choirs represent? For me, they represent the beauty of many passionate young individuals coming together to build a strong community with a common love. They will grow, transform, and become stronger as they work together. They make this imperfect world a beautiful place.

I wanted to include a video of these choirs, but IOC took the video down due to copyright issues. Maybe I will get it uploaded here later. In the mean time, I will leave you with a list of the songs that were performed during the closing ceremony. The Spotify’s playlist includes the songs, but the actual performance included many tribute covers by up-and-coming artists like Ed Sheeran. So I’m including the performer list and the playlist below. I can’t wait for the next Olympic games! ~Yoon

{N.B. on August 15: Spotify playlist of the closing ceremony music has been updating since my post! You will be able to hear tribute covers by younger artists, except for Imagine.}

Closing Ceremony Music & Performers, shared by Life of a Rock Star blog:

Spotify playlist:

Charles Hazlewood: Trusting the Ensemble

I can’t get this TEDTalk by Charles Hazlewood out of my head. It’s been months since @shaugland shared this link on Twitter.  Even if you are not a conductor, you should watch this. If you are a parent, a teacher, or a musician, you need to watch this and get into the conversation:

This brilliant presentation contains much food for thought.

TRUST is an important word. I would guess that many of us like being on the receiving end (ie. people trusting us). Boy, isn’t it hard to trust others? :-)

This quote by an unknown author deeply resonates with Maestro Hazlewood:

Trust is the best medium for success. It creates an environment in which people feel free to be authentic, passionate, committed, and willing to share all they have to offer. ~author unknown

 

I reflected a lot, thinking about the simile (conducting is like a small bird in your hand) and the lessons learned through the South African Music project, the singing demonstration by the TED Choir (the F-E-D motive), the extraordinary story behind the Paraorchestra, and of Haydn‘s wordless, but apparent revolt in Farewell Symphony finale. The Maestro challenged me as a musician and teacher to assess myself as an artistic leader.

What am I doing to create a safe and passionate space for my students? What needs to change?

Musicians and music teachers, think of your ensembles. What is your story? What is your experience building trust with your group? How do you inspire the young musicians to feel free to be themselves, but give all to their ensemble?

And do you agree with this statement?

Where there is trust, there is music, and by extension, life. Where there is no trust, music simply withers away….

 

Why or why not?

~ Yoon (will post a post regarding my experience with my choirs)

App Love: Spotify Radio

I love searching for songs and recordings on Spotify, everyday. Although I only signed up for its basic (free) membership, I’m able to enjoy millions of streaming tracks and organize my favorite tracks into playlists. When the Spotify mobile app came out, I downloaded it to my phone without hesitation.

But I deleted the app just as fast because the app only worked with paid membership :-) .

Spotify sent out emails to users on Wednesday, June 20th with the heading: 

What it is: IT’S REALLY SIMPLE

Spotify Radio is a Pandora-like feature  that allows the listener to choose a genre (or style of a specific singer/band). You can build your radio station by giving Spotify’s music pick a ‘thumbs up/down’. This is screenshot of a Blues selection – Muddy Waters(!) – before I liked it:

Each ‘liked’ song is saved as a playlist file (i.e.‘Liked from Radio’) and easily accesible. If you don’t like the song Spotify has picked for you, it lets you skip up to 6 songs per hour. Pretty reasonable, I say.

This app was terrific to use when I was stuck in traffic yesterday. I listened to many more artists and recordings than I had in my mobile music collection. I enjoyed recordings of familiar artists like Sir Neville Marriner, John Mayer, and Stevie Ray Vaughan. And listening to Friendly Fires, Calla, Dropkick Murphys, and Rumer for the first time was just fun.

A few caveats: 

1. All kinds of ads can be heard a few times during your listening period. If you’re connected to your car audio through Bluetooth, or using the speaker on your device,  just know that your kids can hear these, too. Some ads are just for adults.

2. Since it’s not a regular FM/AM radio, there are explicit songs.

3. Spotify Mobile Radio feature is just for iOS right now. Android users, just wait a little longer.

Family Idea: Listen to music together 

Make music listening a part of your family’s summer. If you have younger kids, choose  a genre you want to listen with your kids and listen to new songs with them. If you have a preteen or a teenager, it might be fun to take turns picking new genre of music to listen together. As I mentioned earlier, there are many explicit songs in the database so pick more family friendly genres. For example, ‘Soul’ would have less explicit songs than ‘Hip-hop’ (although the topics that the songs from either of these genres might be equally adult-ish!). You, the adult, can decide what would make sense for your family.

As a test, I gave my phone to my 13-year old daughter. She naturally turned to ‘Alternative’. It was funny that the first song we listened to on this app was Ed Sheeran’s Lego House. This song happens to be one of her favorites so she was happy. She was also quick, though, to point out that Ed Sheeran should be classified under ‘Singer-Songwriter’, not ‘Alternative’. We listened to other genres, including the ‘Blues’ which she thought was cool. I loved spending our car ride talking about music.

I recommend it! Try Spotify Radio & experience more music! ~Yoon

If you like: Read my NPR Music App review.

September ’11 Music Education Blog Carnival

Happy New School Year! 

It is with great pleasure to {finally} publish the September edition of Music Education Blog Carnival here. I want to thank many teachers who submitted great posts. Their thoughts, recommendations, and philosophies, I believe, stretch our own thinking. For those of you who are  beginning a new school year, I want to bid you a great year of deep learning. May the learning in these months ahead transform us so that we can be better musicians and teachers. [Personally, I want to work on listening to my students with understanding and emphathy (Kosta and Kallick). I hope to blog about it some time this year...]

Enjoy reading this edition of Music Ed Blog Carnival! I encourage you to comment on the posts you read. And if you would like to host Music Ed Blog Carnival, contact Dr. Joe Pisano at @pisanojm or visit his site, http://mustech.net/.

{Forgive me if I made mistakes on your posts! There were just too many submissions!

Cheers! ~ ysl :-D

Music Education

Music Advocacy

Music Listening & Performance Review

Music Software/Hardware

Music Technology

Music Tips/ Learning Reflection

Hosting Music Education Blog Carnival: September Edition


To Music Teachers, Performers, Students, Parents, Music Specialists:

I am excited to host the Music Education Blog Carnival for September, 2011! The Blog Carnival was created and is maintained by Dr. Joseph Pisano of MusTech.net in order to promote the great works being done by Music Education Bloggers across the Internet. During the school year, many music educators have the privilege of hosting monthly issue. So if you are a music teacher, student, musician, performer, or an ardent music lover and you love blogging, please share a post regarding a music-related post for the September issue. Even if you don’t get to submit an article, check back in September to read variety of articles on the Blog Carnival! You probably don’t need this, but just in case you are wondering about some music-related topics, allow me to ask some questions to get you thinking and writing {but not limited to}…

Teachers, what have you been learning this summer? What are some new things you want to create with your students?

Students, what are some obstacles you want to work on this school year?

Performers & Conductors, what separates a great performance from a good performance? 

Composers, what are some ways teachers can implement music composition into their classroom? 

Parents, what concerns do you have in your child’s music education?

Music Tech Gurus, what apps or gears are on your Music Ed “MUST” list?

I hope many of you will consider sharing your thoughts and experiences! Think. Write. And go here to submit. I can’t wait to read yours. If you have any questions, please tweet me or leave me a comment below. :-)

Please submit your article (short & sweet or long & thought-provoking) by August 29, 2011. Thank you!

~Yoon

Talk it Up!

And Design a Deeper Learning Environment

The following post has been featured in the July edition of VIA, an ezine dedicated for arts integration. I’m honored to have been contacted by VIA’s editor, Susan Riley, who has asked me to write a post focusing on creativity and the arts technique for the classroom teachers. Check out her website which has wonderful arts-integrating resources! If you’re curious about this ezine, download and read the entire July edition for free here (VIA is normally distributed quarterly through subscription). As always, I would appreciate your feedback and conversation!  Happy July!   ~Yoon

While saying good-bye to a happy 5th grade music class, I engaged in a quick conversation with their teacher about what the kids have been learning in my class (song writing: verse, chorus, lyrics, melody, and accompaniment).

And then I asked her, “So what are they learning with you?”
That one question led both of us make time to connect again in the teacher’s lounge and talk about what the students are learning in the classroom. Through one conversation, we discovered how we can connect and build on our students’ learning together. By asking each other questions, we got each other to think about students’ learning at a more in-depth level. The question I had to answer was, “Is there anything I can do to strengthen their learning?”

photo by Kim Davies, Flickr CC

Here is a project that resulted out of that conversation: The Preamble Project (click on the link to listen). The students were learning the Preamble and the US Constitution in social studies. After talking to the teacher, I had to answer the following questions:
  • What would be the best way for the students learn and memorize the words to the Preamble?
  • Would watching a segment in School House Rock be helpful?
  • What musical and thinking skills will the students demonstrate?

I concluded that helping the students write their own original Preamble song was the answer. Rather than just memorizing the words to the Preamble, my students sang the words to a tune they composed. Will they remember the words that precedes the US Constitution? Of course. Were they engaged in their learning? Absolutely!

If you are looking for ways to incorporate music into your lessons, here are some ways you can try:

Don’t be Afraid.
Being fearful snuffs out learning opportunities for you and your students.
As you prepare your lessons, think of a couple ways you can think artistically.
Remember that we are in the classroom to guide the young people in good learning. This means you do not have be the performer. Just create the creative spaces for them.
Start brainstorming arts-infused projects and make lists of possibilities.

Start a Conversation.
Collaborate with an arts teacher at your school. Share what you are currently teaching and ask simple questions to see if there are possibilities to collaborate on a particular unit.

  • Keep communications clear (time lines and goals) and start with simple ideas.
  • Keep a photo/video journal of the project.
  • Remember 2 Things: 1) not all of your conversations will end up as a project and 2) understand that  through the conversations your preconceived  ideas may change.  Keep an open mind!

Look & Listen for Inspiration.
Many teachers in my Professional Learning Network (PLN) share a great wealth of resources and lesson ideas. I read blogs posted by these teachers and see how I can apply their project ideas into my classes. You can do this, too. Look for inspiration in other creative teachers. Also look for inspiration in your students. Many young students are tech saavy and know really good sites for music. Ask them to share their good finds with you. They will be happy to share when they know you are opened to be taught by them. Here is an example of how I listened to my students.

Try.
Did you ever try using applications like GarageBand or Audacity to create your own remixes or mashups? Or have you ever tried playing music related games like Tap Tap? What is keeping you from learning? What would you like to try first?

~ Making an iTunes playlist titled, __________ (fill in the blank, i.e. quiet work time). What music would you include and why?

~ How about a podcast featuring a student and using music in the background?

Whatever the project, give yourself some time to use a specific tool and get comfortable.
Here are some links you can start exploring.

Have Fun :^)
Relax. Take one step at a time and enjoy the process. Your joy of learning will be infectious– even when things just don’t work out. Remember I asked you to journal about your learning process? Now share your journey with other teachers!

Virtual Choir 2.0 Preview

Just saw this tweet from @tedtalks about Virtual Choir 2.0. Watch this video and get a glimpse of Eric Whitacre’s Sleep sung by 2000 voices! If you read my first post about VC, you’d be wondering if I participated for the second project. The answer is yes! The full video should be coming out on April 7th – I am very excited to see it!

But for now – here’s Eric Whitacre on TEDTalks on Virtual Choirs and introduction of Sleep project:

~ Yoon

Collaborative Reflections on EduCon & Arts Education, Part 1

I am happy to post a two-part collaborative reflections written by Michelle Baldwin, Andrew Garcia, Kyle Pace, Elizabeth Peterson, and myself. These two posts are about our EduCon conversation and the Arts Education. Here is part 1. Part 2 will be posted on Thursday. I’m listing the writers below for reference. Come join the conversation!

writers :: blogs :: twitter

Michelle Baldwin: http://avenue4learning.com | @michellek107
Andrew Garcia: http://educationalparadigms.blogspot.com/ | @berkshirecat
Yoon Soo Lim: http://singimagination.wordpress.com | @DoremiGirl
Kyle Pace: http://www.kylepace.com | @KylePace
Elizabeth Peterson: http://www.theinspiredclassroom.com/ | @eliza_peterson


Moving Beyond EduCon 2.3 by Yoon Soo Lim

3 days of EduCon 2.3 were jam packed with meeting my colleagues, thinking and rethinking education (and my role in it), and carrying on conversations about LEARNING environments and good practices for our students. So what did I learn?

Conversation:

Cultivating Connected Learning Experiences through Arts Integration

@eliza_peterson, @KylePace, @michellek107, and I decided to bring a vis-a-vis conversation to EduCon about learning through integrated arts curriculum. Why? It is believed that in our society art, dance, music and theater are considered nice, feel-good things, especially for kids. Take a look at our crowdsourced virtual bulletin board here with teachers answering the question, “Why Integrate with the Arts?”. After reading through these posts, one cannot help but ask a follow-up question, “If the arts are so important, why aren’t they integrated more into the curriculum?”. This is precisely why we wanted to have this conversation with our colleagues at EduCon.

Interestingly, creativity and arts education had been mentioned many times during EduCon, starting with Friday night’s panel. During the discussions of EduCon sessions and in my preparation for our conversation, these words kept popping up: “cultivating”, “connected-learning”, and “experiences”.

These words also happen to be the first four words of our session title :-) .

When it came to our session time on Sunday morning, these are the words we focused on.

Why?

Everyday, Elizabeth, Michelle and I are immersed in music while Kyle gives support to his arts teachers. We teach about music, we create music, we teach others how to teach music, and we learn new ways to learn about music. We live and breathe the joys as well as the pains of being “in” the arts field. To move our schools forward and to collaborate with teachers, we motion to cultivate a new culture – to prepare the ground, and foster growth through refining of the mind – for all of our students’ learning. So why does it matter to connect?

This screen shot is from RSA video we shared in our session. The video is RSA Animate – Changing Education Paradigms of Ken Robinson (05:41 and on). It’s a clear capturing of what a fully-engaged learning looks like. Senses, brain function, and passion all working together, so focused and fully alive!

To the teachers who attended our session in person or virtually, making this kind of “aesthetic experience” mattered. Some teachers grew up being in the arts. For some, they were curious how to integrate the arts in the classroom. These teachers engaged in conversations fully and intentionally.

Some of the examples we shared on our Google Sites were good starting places to delve into deeper conversations with teachers who were in attendance.

Encouragement: if you want connected learning for your students, make it a priority. Take the first step to get in a consistent conversation about what students are learning and how you as teachers can give support to each other.

This charge is for both classroom teachers as well as the arts teachers. WE ARE ALL TEACHERS. We no longer cannot monopolize our “subject” areas and consequently keep ourselves at an arm’s distance. Students will not connect their learning if it is not encouraged or modeled for them. It will be hard. It will be time consuming, but by creating this kind of learning environment, learning becomes real and interesting for students.

Make Arts Your Priority, Admins!

If you truly believe creativity is something that needs to encouraged, and cultivated, make arts education a high priority! I am tremendously blessed to work with administration who support the arts education at our school. I am going to quote one of the administrators at my school: “Creativity, critical thinking and innovation – all are important terms in today’s education. Integrating the arts is a great way to tap into all of these while making learning more meaningful to the students.” Follow Susan’s advice and make it an important priority for your school.

Start with a Simple Conversation, Teachers!

Routinely get into conversations with your students about what they are learning. You are good at asking specific questions to elicit information, teachers! Engage in conversations and learn about what they are learning. It shows not only that you are interested in who they are, but that you are curious about them as learners. Talking to other grade teachers in person is always good idea. Again, connecting with another teacher is something that is time consuming, but in teacher’s lounges, or even in passing, make an effort to start a conversation. If you need help integrating the arts in your discipline, ask an arts teacher you are interested in partnering with. There just might be an area where two classes can naturally work on a project that will bring deeper learning.

I am humbled to have worked with Elizabeth, Kyle and Michelle. I am thankful teachers like Andrew joined in virtually and shared their knowledge during and after Educon. They are not only active in their own learning, they make connected learning come alive. I learn much from them and work harder to make connected learning a reality for my students.

The EduCon conversation was a great beginning. I cannot wait to have more of these important conversations and see the changes in many classrooms. I believe there will be a time when more decision makers for schools will make arts a priority. Until then, our work continues.

Before I end my thoughts for today, I want to ask you to think about a question based on @mrchase’s post titled, Things I know 36 of 365: We’re really good at not teaching kids to sing. Why are kids afraid of singing?

For further discussions on Arts Education, check out:


EduCon Experience by Michelle Baldwin

Educon was a fast and furious experience for me, but one that I will value for a very long time. So many conversations, both scheduled and impromptu at lunch or dinner, have kept me thinking and questioning since I returned home.

During our session, we talked about how arts education helps students to understand not only how everything is connected in our world (as an adult, you don’t just do math at 10:00 in the morning and then switch to science or reading), but also how arts education helps to understand how everyONE is connected. Through music, art, drama, and dance, students can view similarities and differences across cultures. Isn’t it interesting that every culture on our planet utilizes the arts to express what it means to be human?

At one point during our session, we began discussing how the arts really help students learn about each other and work together. I said, “When you’re taking a math test it’s all about YOU. When you’re in a music class, it’s all about US. ” How often in school do students have an opportunity to truly work toward a common goal? Most of the time, that is going to occur in an area where the arts are involved. When I think about how important teamwork and collaboration are in our society, I wonder why students spend most of their academic careers competing with each other for class rank, grades, etc. It’s no wonder they have difficulty translating their learning in school to how to succeed in a connected, global society. By integrating arts lessons throughout the curriculum, students may have more opportunities to work together, to learn ensemble, and to feel the power of WE, instead of only ME.

Thanks to @brophycat for the pictures of our team during the presentation!


The Virtual Experience                                                    by Elizabeth Peterson


Attending a conversation virtually can be interesting. You are listening in, taking it all in, but your voice may not be heard. Let’s face it, one of the best parts about a conversation is the give and take. You can’t just take, you have to give!

The platform used for the live streams at EduCon 2.3 was great because not only were you able to view and hear our session(once it got up and running), but you could participate with other virtual viewers in the chat room.

Our team tried to make sure that other virtual attendees were part of the conversation. There was a give and take going on in the chat room that posed some interesting thoughts, resources and even built relationships. We echoed the important points made in Philly and added our own two cents, making for a full experience.

There is something about listening in on a conversation that allows for great reflection, too. As you sit in the comfort of your home, slippers on, letting the sound of others talk together fill your headset, you have a relaxed feeling of being there. And when you are ready to respond, your thoughts, written out, not spoken, are thought out a little differently than if you are there. You are able to complete your thought, look it over and then send it out to the others in attendance.

I, being Skyped in as part of the presentation team, had the other advantage of being able to speak at times when I thought appropriate. My wonderful teammates would make my talking head a little bigger on the screen and allow me to add my thoughts. (That was another interesting aspect of Skyping in – I was always being projected on the screen in the front of the room! :-) )

At the end of the session, everyone in the chat room made sure we all knew each other’s Twitter handles so that we could keep in touch and keep the conversation going.

The other venue we provided for our attendees was the #artsint backchannel. Here, both face to face and virtual participants could tweet and reply to one another. This backchannel is now in full swing as people are starting to use it more and more! Again, we are keeping the conversation about the ever important topic of Arts Integration alive!

Sure, there are limitations to being virtually in attendance to a conversation among peers. But this is yet another wonderful example of what the virtual world can do for us as educators. We connect online, have opportunities to converse in person and continue the discussions for weeks and months into the future.

See what happens when you allow teachers to connect? Go us!

Thanks to @brophycat for the pictures of our team during the presentation!



ATTENDING EDUCON VIRTUALLY                       by Andrew Garcia

Despite the video feed glitch delaying my remote entry to the Arts Integration conversation, I found attending virtually to have several benefits (some of which I tweeted using the hashtag #noncon). First, the view of the presenters and what they were saying was clear (most of the time). From home there is no obstructed view or “overflow room”. Second, it is actually easier to ‘take notes’ during conversations by listening and writing and/or live-tweeting. This would quickly become annoying to a neighbor if I were actually present at Educon. (One great benefit of being an auditory learner is the ability to at once listen and type!) Question is, which is more important? Silent and still listening to preserve the peace of your proximal #educon attendee or to passionately listen, process, type and connect (w/ others on a backchannel)? Who is to say that the backchannel conversations aren’t the ones that will assure that the message lives beyond the moment?

To me, at least with regard to conversations, I learn best by listening and processing. Right there, right then. With any good talk, keynote, session, workshop, ‘conversation’ NOW is the moment to key into. (And why so much Professional Development efforts fail- it’s too easy to lose that lovin’ feeling once tomorrow comes.) Attending virtually, I was 100% THERE and turned ON to the moment/topic at hand. I was simultaneously documenting the moment. As Connie Weber of Fireside Learning wrote to me after the keynote, “I definitely felt you there!” Being ‘there’ is all about the quality of attention and intention. I might argue that some folks “at” Educon, may, at times, have been physically there but mentally elsewhere. If I were at Educon, I would have been, at least to some extent, distracted by all the awesome Educators around me (‘OMG, there’s @willrich45!!’). And, if reading the tweets of some of my followers is any indication, this is definitely true for them, too.

Third, attending Educon online actually allowed freedom to attend multiple conversations without being considered rude. I was interested in many conversations that were scheduled at the same time. I would time my exits accordingly (a lull in the conversation, a tech problem, but I always returned). Doing so also allowed me to be a minor asset to presenters. I took screenshots of conversations and posted them at BOX.net-free for the taking. Many presenters were grateful to have “evidence” of them in action for their professional portfolios. I was happy to be a minor but helpful resource.

Finally, far from feeling alienated and excluded by those attending Educon, I would argue that relationships with #educon friends in my Twitter PLN, were kicked UP a notch. Circumstances (multiple snow days, committee obligations) kept me away from Philadelphia during Educon 2011 but I feel closer to those who attended than I did before as a result of the conference, and the multiple live and virtual conversations being had in those 2 thought-provoking days. Sure, I would have loved to see @NMHS_Principal’s karaoke skills. But (apparently) I am glad I missed the Applebee’s experience on Friday night. (Eh?) It also was a plus to be able to prepare a meal and/or go to the bathroom without missing a word that was said. Good perks, those! All this said, I can’t wait to be at ISTE2011. Live. In person.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

There you have it. Thanks for reading!

Stay tuned for Thursday’s collaborative post, Part 2.

~ Yoon

Visiting Artist Week: Learning from Other Teachers

by J Bennett

Our school devotes

One week

out of year

to Art and Music. I don’t mean by offering classes, but by inviting other professionals to work with our students in addition to regular arts classes. The idea is to immerse the community in arts and the week finishes with a collaborative assembly where one might see performances and sharing of what had happened during the week. I believe it is one of the most special part of my school. And I’ll admit, this was one of the things that drew me in to teach here.

We invited two very different musicians.

Joe Tayoun, Middle Eastern Percussionist

Joe is an approachable and friendly guy. With big smiles, he talks with you – about everything. Put a  Doumbek in his hands and he can transform a huge group of middle school students into a percussion ensemble – an ensemble who work together because it’s fun. Joe had a tight schedule on a 2 hour-delay day. He brought his cousin, Michele, who taught our students Middle Eastern Dance (Belly Dancing) to a song (they learned the words and melody to this song as well). Each group had a chance to  drum and dance; at the end of each 45-min, we had both groups put their work together. It was so much fun.


Things I learned:

Joe is an effective communicator. He was clear in his direction, goals, and conveyed respect for the kids. I was happy to see my students responding respectfully and engaging themselves in some serious fun learning. Joe covered culture (he is Lebanese-American) and the origins of the rhythms, background of different drums that were being used, and connected to the kids with what they know with the material he was introducing. I particularly loved that he read his audiences well and adjusted naturally to their listening and playing abilities.  My 8th grade students enjoyed learning this 7/8 rhythm, Kalamatinio:


Because of snow and delay to our school day, we invited him back in February to rehearse with our students and put a performance together. I can’t wait!


Curtis Blues, a Delta Blues Musician

Curtis, a passionate and energetic musician, introduced lower elementary students to the sounds of Pre-War Delta Blues. He was fantastic at talking to our younger students. He made the instruments come a live to children through storytelling and songs. Students giggled, danced and looked at each instrument with awe. They were amazed at his harmonica playing. And his drum playing. And his guitar playing. All of these instruments were played simultaneously! When he didn’t play the harmonica, he sang!


Things I learned:

The rich history of the Blues was sung and explained to the young children in a language they understood. I liked how he used posters of the Delta Blues Greats – Robert Johnson, Bukah White, Memphis Minnie, and Muddy Waters as a part of the history. He never got too talkative, but balanced flow of music and talking. Students were definitely engaged and learned in a fun way. My 8th graders also had a chance to sit in a session and Curtis was great to bring them into a conversation by referencing the use of language of Blues lyrics. I loved the differentiated learning and the students appreciated being in the conversation!

* * *

Sharing from my experience~

If you would like to start something like this in your school, consider the following:

  • Begin a conversation with other arts teachers. Even if your school offers dance, music, art, and theater, consider partnering up with 1 other arts field to start.
  • Partner with the administration of your school and get an approval for a week-long (or a few days) of arts celebration. Find time in the year where things aren’t too crazy. We chose a week in January for this reason*.
  • Begin to budget for this event. Consider extra fees for travel, lodging, and food. And do look for grants locally and statewide for educational events like this. Money, always, will be an issue.
  • Begin researching for artists! Talk to arts teachers around your area or ask your PLN for visiting artists. Also check local art and music alliances for programs for schools. Many artists who have in-school residencies have a promotional CD/DVD. Ask for one. Also ask specific questions and the conversation going.
  • Keep a log of people you contacted and keep their contact info. You never know how people’s schedule will turn out.
  • Plan early and get agreed details  in writing.
  • Be flexible with the artist as much as possible for changes, but know when to go back to the “contract” or change the details of the contract.
  • Be a learner: get involved during the week, engage in conversation with the artists, get your hands-on experience with the students and reflect with them.
  • If possible, build an assembly time at the end of your arts week to bring the community together. Live performances, presenting pictures or movies of learning that took place that week is a nice way to close out the week together.
  • Evaluate the week as a team! What things were good? What can you improve for next year?

I am still learning and working on many of these suggestions :-) . I need to address the (*) on the second bullet on scheduling the event went smoothly for 6 years – there were no changes once we had musicians were lined up. This year, however, we were thrown off because of inclement weather. My teaching partner and I worked early mornings and late nights those 2 days to reschedule everything. Thankfully, things worked out, but there was a chance we could have just given up on the week. Perseverance won that week!

In the end, it’s about creating a learning space for students. You are creative – share this week with your students and your community! I’d also love to learn from what you do during visiting artist week!

~ Yoon